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			<guid><![CDATA[https://ellipsis.intertext.in/why-a-2400-year-old-sex-comedy-keeps-showing-up-at-protests/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/why-a-2400-year-old-sex-comedy-keeps-showing-up-at-protests/]]></link>
			<title>Why a 2,400-Year-Old Sex Comedy Keeps Showing Up at Protests</title>
			<pubDate><![CDATA[Wed, 09 Sep 2026 07:43:43 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/lost-in-translation-the-jokes-lysistrata-makes-that-english-cant-quite-keep/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/lost-in-translation-the-jokes-lysistrata-makes-that-english-cant-quite-keep/]]></link>
			<title>Lost in Translation: The Jokes Lysistrata Makes That English Can&#8217;t Quite Keep</title>
			<pubDate><![CDATA[Wed, 09 Sep 2026 07:43:30 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/two-choruses-one-stage-and-a-lot-of-padding-how-lysistrata-actually-worked-as-theater/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/two-choruses-one-stage-and-a-lot-of-padding-how-lysistrata-actually-worked-as-theater/]]></link>
			<title>Two Choruses, One Stage, and a Lot of Padding: How Lysistrata Actually Worked as Theater</title>
			<pubDate><![CDATA[Wed, 09 Sep 2026 07:43:16 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/ovid-after-ovid-how-one-roman-poem-colonised-western-art/]]></guid>
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			<title>Ovid After Ovid: How One Roman Poem Colonised Western Art</title>
			<pubDate><![CDATA[Mon, 14 Sep 2026 19:11:21 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/from-chaos-to-caesar-the-strange-political-arc-of-ovids-epic/]]></guid>
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			<title>From Chaos to Caesar: The Strange Political Arc of Ovid&#8217;s Epic</title>
			<pubDate><![CDATA[Mon, 14 Sep 2026 19:11:09 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/art-imitating-life-imitating-art-ovids-obsession-with-made-things/]]></guid>
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			<title>Art Imitating Life Imitating Art: Ovid&#8217;s Obsession With Made Things</title>
			<pubDate><![CDATA[Mon, 14 Sep 2026 19:10:59 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/voice-silence-and-violence-reading-metamorphoses-through-the-women-who-cant-speak/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/voice-silence-and-violence-reading-metamorphoses-through-the-women-who-cant-speak/]]></link>
			<title>Voice, Silence, and Violence: Reading Metamorphoses Through the Women Who Can&#8217;t Speak</title>
			<pubDate><![CDATA[Mon, 14 Sep 2026 19:10:34 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/shapeshifters-of-rome-the-13-transformations-that-made-ovid-immortal/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/shapeshifters-of-rome-the-13-transformations-that-made-ovid-immortal/]]></link>
			<title>Shapeshifters of Rome: The 13 Transformations That Made Ovid Immortal</title>
			<pubDate><![CDATA[Mon, 14 Sep 2026 19:10:22 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/twenty-years-of-war-and-one-very-tired-comedy/]]></guid>
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			<title>Twenty Years of War and One Very Tired Comedy</title>
			<pubDate><![CDATA[Wed, 09 Sep 2026 07:43:04 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-strike-that-shocked-athens-gender-and-power-in-lysistrata/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-strike-that-shocked-athens-gender-and-power-in-lysistrata/]]></link>
			<title>The Strike That Shocked Athens: Gender and Power in Lysistrata</title>
			<pubDate><![CDATA[Wed, 09 Sep 2026 07:42:50 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/modern-poetry-deck/]]></guid>
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			<title>Modern Poetry Deck</title>
			<pubDate><![CDATA[Tue, 28 Jul 2026 07:52:49 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/martin-luther-king-jrs-i-have-a-dream/]]></guid>
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			<title>Martin Luther King Jr&#8217;s I HAVE A DREAM</title>
			<pubDate><![CDATA[Wed, 22 Jul 2026 15:59:04 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/two-and-a-half-thousand-years-of-not-agreeing-about-her/]]></guid>
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			<title>Two and a Half Thousand Years of Not Agreeing About Her</title>
			<pubDate><![CDATA[Sat, 29 Aug 2026 05:30:50 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-ending-that-broke-its-own-rules/]]></guid>
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			<title>The Ending That Broke Its Own Rules</title>
			<pubDate><![CDATA[Sat, 29 Aug 2026 05:30:34 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-women-who-watched-and-did-nothing-on-purpose/]]></guid>
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			<title>The Women Who Watched and Did Nothing — On Purpose</title>
			<pubDate><![CDATA[Sat, 29 Aug 2026 05:30:20 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/two-people-one-stage-and-a-fight-won-with-words-before-anyone-dies/]]></guid>
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			<title>Two People, One Stage, and a Fight Won With Words Before Anyone Dies</title>
			<pubDate><![CDATA[Sat, 29 Aug 2026 05:30:06 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-speech-euripides-wouldnt-let-her-finish-cleanly/]]></guid>
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			<title>The Speech Euripides Wouldn&#8217;t Let Her Finish Cleanly</title>
			<pubDate><![CDATA[Sat, 29 Aug 2026 05:29:50 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-woman-who-was-never-from-here/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-woman-who-was-never-from-here/]]></link>
			<title>The Woman Who Was Never From Here</title>
			<pubDate><![CDATA[Sat, 29 Aug 2026 05:29:35 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-man-of-twists-and-turns-is-odysseus-a-hero-or-a-liar-who-got-lucky/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-man-of-twists-and-turns-is-odysseus-a-hero-or-a-liar-who-got-lucky/]]></link>
			<title>The man of twists and turns: is Odysseus a hero or a liar who got lucky?</title>
			<pubDate><![CDATA[Sat, 01 Aug 2026 13:59:46 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-other-siege-penelope-and-the-women-who-run-the-odyssey/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-other-siege-penelope-and-the-women-who-run-the-odyssey/]]></link>
			<title>The other siege: Penelope and the women who run the Odyssey</title>
			<pubDate><![CDATA[Sat, 01 Aug 2026 13:56:19 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-man-who-wouldnt-go-home/]]></guid>
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			<title>Odysseus: The Man Who Wouldn&#8217;t Go Home</title>
			<pubDate><![CDATA[Sat, 01 Aug 2026 13:52:36 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-odyssey-the-stranger-at-the-door-the-ache-to-go-home-and-the-man-who-wouldnt-say-his-name/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-odyssey-the-stranger-at-the-door-the-ache-to-go-home-and-the-man-who-wouldnt-say-his-name/]]></link>
			<title>The Odyssey: the stranger at the door, the ache to go home, and the man who wouldn&#8217;t say his name</title>
			<pubDate><![CDATA[Sat, 01 Aug 2026 13:50:54 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/email-writing/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/email-writing/]]></link>
			<title>Email Writing</title>
			<pubDate><![CDATA[Tue, 28 Jul 2026 07:30:16 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/key-victorian-poets/]]></guid>
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			<title>Key Victorian Poets</title>
			<pubDate><![CDATA[Wed, 22 Jul 2026 08:35:39 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/how-to-read-prose-like-a-critic-a-beginners-guide-to-critical-appreciation/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/how-to-read-prose-like-a-critic-a-beginners-guide-to-critical-appreciation/]]></link>
			<title>How to Read Prose Like a Critic: A Beginner&#8217;s Guide to Critical Appreciation</title>
			<pubDate><![CDATA[Wed, 22 Jul 2026 07:22:48 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/running-backwards-time-logic-and-victorian-satire-in-through-the-looking-glass/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/running-backwards-time-logic-and-victorian-satire-in-through-the-looking-glass/]]></link>
			<title>Running Backwards: Time, Logic, and Victorian Satire in Through the Looking-Glass</title>
			<pubDate><![CDATA[Fri, 12 Jun 2026 16:51:16 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/from-pawn-to-queen-alices-identity-and-the-anxiety-of-growing-up-in-through-the-looking-glass/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/from-pawn-to-queen-alices-identity-and-the-anxiety-of-growing-up-in-through-the-looking-glass/]]></link>
			<title>From Pawn to Queen: Alice&#8217;s Identity and the Anxiety of Growing Up in Through the Looking-Glass</title>
			<pubDate><![CDATA[Fri, 12 Jun 2026 16:50:57 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/who-controls-the-words-language-nonsense-and-the-politics-of-meaning-in-through-the-looking-glass/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/who-controls-the-words-language-nonsense-and-the-politics-of-meaning-in-through-the-looking-glass/]]></link>
			<title>Who Controls the Words? Language, Nonsense, and the Politics of Meaning in Through the Looking-Glass</title>
			<pubDate><![CDATA[Fri, 12 Jun 2026 16:50:33 +0000]]></pubDate>
		</item>
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			<guid><![CDATA[https://ellipsis.intertext.in/voice-of-the-scop-oral-tradition-formulaic-verse-and-the-manuscript-history-of-beowulf/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/voice-of-the-scop-oral-tradition-formulaic-verse-and-the-manuscript-history-of-beowulf/]]></link>
			<title>Voice of the Scop: Oral Tradition, Formulaic Verse, and the Manuscript History of Beowulf</title>
			<pubDate><![CDATA[Fri, 03 Jul 2026 13:08:43 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/pagan-past-christian-present-religious-tension-in-beowulf/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/pagan-past-christian-present-religious-tension-in-beowulf/]]></link>
			<title>Pagan Past, Christian Present: Religious Tension in Beowulf</title>
			<pubDate><![CDATA[Fri, 03 Jul 2026 13:08:32 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/monsters-as-metaphor-grendel-his-mother-and-the-dragon/]]></guid>
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			<title>Monsters as Metaphor: Grendel, His Mother, and the Dragon</title>
			<pubDate><![CDATA[Fri, 03 Jul 2026 13:08:22 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://ellipsis.intertext.in/the-heroic-code-kinship-loyalty-and-the-warrior-ethos-in-beowulf/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-heroic-code-kinship-loyalty-and-the-warrior-ethos-in-beowulf/]]></link>
			<title>The Heroic Code: Kinship, Loyalty, and the Warrior Ethos in Beowulf</title>
			<pubDate><![CDATA[Fri, 03 Jul 2026 13:08:12 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://ellipsis.intertext.in/the-looking-glass-world-mirror-logic-and-narrative-structure-in-through-the-looking-glass/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-looking-glass-world-mirror-logic-and-narrative-structure-in-through-the-looking-glass/]]></link>
			<title>The Looking-Glass World: Mirror Logic and Narrative Structure in Through the Looking-Glass</title>
			<pubDate><![CDATA[Fri, 12 Jun 2026 16:50:11 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/he-comes-ever-comes-an-essay-on-gitanjali-45/]]></guid>
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			<title>&#8220;He Comes, Ever Comes&#8221;: An Essay on Gitanjali 45</title>
			<pubDate><![CDATA[Fri, 12 Jun 2026 15:34:47 +0000]]></pubDate>
		</item>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-art-of-elizabethan-prose-when-english-learned-to-show-off/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-art-of-elizabethan-prose-when-english-learned-to-show-off/]]></link>
			<title>The Art of Elizabethan Prose: When English Learned to Show Off</title>
			<pubDate><![CDATA[Tue, 09 Jun 2026 06:04:42 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/why-jimmy-porter-is-still-shouting-the-relevance-of-look-back-in-anger-today/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/why-jimmy-porter-is-still-shouting-the-relevance-of-look-back-in-anger-today/]]></link>
			<title>Why Jimmy Porter Is Still Shouting: The Relevance of Look Back in Anger Today</title>
			<pubDate><![CDATA[Thu, 28 May 2026 20:39:16 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://ellipsis.intertext.in/gitanjali-45/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/gitanjali-45/]]></link>
			<title>Gitanjali 45</title>
			<pubDate><![CDATA[Tue, 26 May 2026 06:56:10 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/bears-squirrels-and-the-women-jimmy-cant-stop-hurting/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/bears-squirrels-and-the-women-jimmy-cant-stop-hurting/]]></link>
			<title>Bears, Squirrels, and the Women Jimmy Can&#8217;t Stop Hurting</title>
			<pubDate><![CDATA[Thu, 28 May 2026 20:39:07 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-ironing-board-on-stage-kitchen-sink-drama-and-why-it-changed-everything/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-ironing-board-on-stage-kitchen-sink-drama-and-why-it-changed-everything/]]></link>
			<title>The Ironing Board on Stage: Kitchen Sink Drama and Why It Changed Everything</title>
			<pubDate><![CDATA[Thu, 28 May 2026 20:38:58 +0000]]></pubDate>
		</item>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-man-who-was-too-angry-for-england-jimmy-porter-and-post-war-britain/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-man-who-was-too-angry-for-england-jimmy-porter-and-post-war-britain/]]></link>
			<title>The Man Who Was Too Angry for England: Jimmy Porter and Post-War Britain</title>
			<pubDate><![CDATA[Thu, 28 May 2026 20:38:44 +0000]]></pubDate>
		</item>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-body-as-battlefield-dopdis-final-act-and-what-it-means/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-body-as-battlefield-dopdis-final-act-and-what-it-means/]]></link>
			<title>The Body as Battlefield: Dopdi&#8217;s Final Act and What It Means</title>
			<pubDate><![CDATA[Thu, 14 May 2026 12:19:15 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-man-who-reads-the-wrong-books-senanayak-and-the-problem-of-understanding/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-man-who-reads-the-wrong-books-senanayak-and-the-problem-of-understanding/]]></link>
			<title>The Man Who Reads the Wrong Books: Senanayak and the Problem of Understanding</title>
			<pubDate><![CDATA[Thu, 14 May 2026 12:19:00 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/two-draupadis-one-story-how-a-name-becomes-a-political-act/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/two-draupadis-one-story-how-a-name-becomes-a-political-act/]]></link>
			<title>Two Draupadis, One Story: How a Name Becomes a Political Act</title>
			<pubDate><![CDATA[Thu, 14 May 2026 12:18:47 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/meet-dopdi-mejhen-the-story-that-refuses-to-be-silenced/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/meet-dopdi-mejhen-the-story-that-refuses-to-be-silenced/]]></link>
			<title>Meet Dopdi Mejhen: The Story That Refuses to Be Silenced</title>
			<pubDate><![CDATA[Thu, 14 May 2026 12:18:34 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/escape-hatch-or-death-sentence-the-two-faces-of-transformation-in-ovid/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/escape-hatch-or-death-sentence-the-two-faces-of-transformation-in-ovid/]]></link>
			<title>Escape Hatch or Death Sentence? The Two Faces of Transformation in Ovid</title>
			<pubDate><![CDATA[Mon, 14 Sep 2026 19:11:33 +0000]]></pubDate>
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			<guid><![CDATA[https://ellipsis.intertext.in/the-chance-syllable-language-loss-and-the-art-of-surviving-translation/]]></guid>
			<link><![CDATA[https://ellipsis.intertext.in/the-chance-syllable-language-loss-and-the-art-of-surviving-translation/]]></link>
			<title>The Chance Syllable: Language, Loss, and the Art of Surviving Translation</title>
			<pubDate><![CDATA[Thu, 14 May 2026 07:59:55 +0000]]></pubDate>
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